Tuesday, October 27, 2015

Choosing and essay question

During the COP lesson last week, we have been given six different questions/ themes that we have to chose and write the essay about. Those questions are:


  • “To what extent have Modernist design principles influenced contemporary Graphic Design?”
  • “How did Postmodernism impact on Graphic Design practice?"
  • "To what extent does advertising construct our ideas of gender?"
  • “Discuss the role that Graphic Design can play during periods of political and/or social upheaval."
  • “What is the relationship between branding and The Consumer Self?”
  • "What is the role of print media in the digital age?"

Two questions which I'm most interested are:
'What is the relationship between branding and The Costumer Self?' and the other one is 'What is the role of print media in the digital age?'. 


Sunday, October 11, 2015

Visual Literacy - The Language of Visual Culture Lecture

Wednesday's lecture focused on visual language when communicating type, images, signs, symbols and gestures and its affect on audience, context, media and method of distribution. Visual literacy is the idea that pictures can be read, but for this to be successful we need to have a basic understanding of visual syntax and visual semantics.

Visual Syntax
The syntax of an image refers to its pictorial structure and visual organization. For example, its framing, format, line, texture etc. basically all of the formal elements that make up the image.

Visual Semantics
Semantics of an image refers to the way the image fits into a cultural process of communication. This includes the relationship between form and meaning, and the way that this meaning is created through cultural references, social ideals, religious beliefs, political ideas, historical structures etc.

Semiotics
Toward the end of the lecture we were introduced to the topic of semiotics. This covers non-linguistic sign systems, visual language and visual literacy. It is the study of signs and sign processes, indication, designation, likeness, metaphor, symbolism, signification and communication. Visual elements of semiotics include symbol, sign, signifier, metaphor, metonym and synecdoche.


I think this lecture was really interesting. We were shown an image of apple and have been told that ‘its not an apple’ straight away. An ‘apple’ can have lots of different meanings starting from a logo of a famous brand to alternative name for a place in New York.




Symbol: (e.g. logo - image)
Sign: (e.g. identity - what the image represents)
Signifier: (e.g. brand - the connotations of the brand and its message or meaning)
Metaphor: Transfers the meaning from one image to another. Used to convey a message about something unfamiliar by associating it with something familiar.
Metonym: Symbolic image used to make reference to a subject. Related, but not intrinsically linked. 

Synecdoche: A universally recognised image, inherently connected to the subject.

Study Task 1 - Image analysis

Today’s seminar was based on comparing, contrasting and analyzing three propaganda images.

The first image that we looked on was the advertising image ‘The Uncle Sam Range’ (1876) designed by Schumacher & Ettlinger, New York. The next two images were about ‘East African transport Old Style’ and ‘East African Transport New Style’ by Adrian Allinson. We had to answer four different questions about the choice, font organization and style of illustration, the purpose and meaning of the image, the target audience and the historical contexts relevant to the production of the image.

The first image ‘The Uncle Sam Range’ uses a Wild Western style font. The image is very bright almost abstract using the range of blue, red, white and yellow colors, which are creating American theme running throughout the poster. From the American flag on the wall, carpet, curtains to the character’s old fashion clothes everything represent America, this indicates how proud they are of being ‘American’ and of their country achievements.  The image has a bit of cartoony look, it looks like a hand drawing or painting rather than an advertisement.  Also is not organized giving an impression of being jokingly and not serious.  

The Uncle Sam Range (1876) Advertising Image by Schumacher & Ettlinger, New York

Looking at this image we can clearly say that the purpose of this image is to show how America has been feeding the whole world. In the left top corner of the image there is a clock on the wall and all the goods on the table in the centre of the image, which indicate that 100 years has passed, and their celebration of achieving something. However, the eye is drawn to three things in particular. The globe sitting next to the table, the woman, which is giving the food and the men next to her looking as a very important person. The globe is holding a long list with different names of the countries on it, which looks like a list of trading between countries.  

The other two images ‘East African transport Old Style’ and ‘East African Transport New Style’ uses San Serif, bold and eye-catching font. The image has a different style of printing than the first image ‘The Uncle Sam Range’. The image appears to be more as w watercolour painting also the image is well organized. The purpose of this image seems to be promoting the colonial empires and that the aim is not money, but to show how successful the effort of modernisation is going. Moreover, they are trying to show to the readers how they helped modernise and improve the transport in Africa with technology. In the first image we can see African’s people in their traditional clothes while walking through the wilds with their kids, while carrying at the same time supplies. The second image shows improvements that came about doe to the colonisation for e.g. traveling by transport, industry, trucks and different style of clothing as well. Furthermore, there are no children on this image; this shows how the attitude towards woman has changed. 

Empire Marketing Board - 'East African Transport Old Style' and 'East African Transport New Style' by Adrian Allinson, from the 'Colonial Progress Brings Home Prosperity' series of posters; 60 x 40 ins, displayed December 1930-January 1931; Waterlow and Sons Ltd